Before The Soft Bulletin was released, few would have thought that The Flaming Lips would be capable of creating an album of such beauty, joy, poignancy and unique value. The Soft Bulletin is a densely packed, multi-layered sonic landscape that is both plaintive and optimistic. It takes all that I have in me to not raise my hands to the sky as Coyne sings “they lifted up the sun!”“The Spark That Bled” is another wonderfully beautiful and complex song. It’s as close to a Spector-like Wall of Sound as indie rock can get The album kicks-off with swirly synths in a whopper of a go-getter track, “Race for the Prize.
#FLAMING LIPS SOFT BULLETIN PITCHFORK FULL#
flaming lips soft bulletinįlaming lips soft bulletin, flaming lips soft bulletin vinyl, flaming lips soft bulletin review, flaming lips soft bulletin live, flaming lips soft bulletin vinyl me please, flaming lips soft bulletin pitchfork, flaming lips soft bulletin lyrics, flaming lips soft bulletin pitchfork review, flaming lips soft bulletin full album, flaming lips soft bulletin 5.1 Europa Universalis IV Download Free “The Spiderbite Song” in particular as Coyne sings about a spider bite: “when you got that spiderbite on your hand, I thought we would have to break up the band.
flaming lips soft bulletin vinyl me please. But the song that really goes for the gusto is “A Spoonful Weighs a Ton ” It begins innocently enough, with fairy tale strings and a sunny atmosphere but leads into a fuzzed out bass and sharp drums that have been turned way up. At about 3:55 in, the song switches gears again, leading with sunny guitars, giving a more playful vibe before it closes with a repetition of the beginning coda. Those thousands singing along to Why Does It Always Rain on Me?, in the drizzle, are probably kicking themselves over a decade on that they missed the opportunity to be at what was, in hindsight, Ground Zero for The Flaming Lips’ evergreen appeal.It’s almost a song in three movements as Coyne’s yearning and almost wounded vocals about his bleeding face. This is an album of its time, sure – but one with a reach that continues to feel its way around the modern musical landscape. Just as previous releases had influenced the likes of Grandaddy and Mercury Rev, The Soft Bulletin and its successor Yoshimi Battles the Pink Robots have informed acts including MGMT and Empire of the Sun. Ultimately, this record paved the way not only for The Flaming Lips to enjoy commercial success far beyond their homes, but also opened the doors for younger acts with a spirit of adventure in their blood to breach the pop charts. Race for the Prize and Waitin’ for a Superman – these are anthems built for mass celebration, and while the crowd isn’t wholly won over yet, fast-forward a few years and the reverence for these tracks is clear wherever The Flaming Lips pitch up with their travelling freak(ishly brilliant) show. In the presence of Wayne Coyne and company, with hand puppets in place of crowd-surfing bubbles and multiple dancers dressed up as aliens, everything’s exactly as it should be though. That stage, after 17 years: the New Bands tent. Seventeen years and nine albums since their formation, The Flaming Lips are headlining at Glastonbury, playing to a packed tent. It’s proggy, it’s rocky – but it’s not prog-rock, really nothing that the average man on the street can’t lean an ear towards and be immediately rewarded. Experimentation has been tempered the group’s out-there tendencies reined right in for a collection that sings with the same warmth and composure that characterised The Beach Boys’ Pet Sounds. The Flaming Lips, Oklahoma oddballs responsible for the four-discs-at-once headache of 1997’s Zaireeka, have crossed into the mainstream courtesy of The Soft Bulletin, NME’s album of 1999. 
But this is something I only witness in passing, as another band has had an equally brilliant year. The crowd for them goes back, back, and back some more, fires flickering up the hillside. Travis have had an amazing 12 months, their second studio album The Man Who earning the Scottish outfit the Best Album and Best Newcomers awards at the Brits in March. And Saturday’s Pyramid Stage headliners could well be described similarly. Glastonbury Festival, in the summer of 2000.
0 kommentar(er)
